Once upon a time, when things were simple and it was
permissible to label people by their religion/former religion rather than
infuriating an acronyms such as PUL or CNR your humble narrator stood and listened
to a discussion regarding the pubs of a neighbouring village.
100% Protestant village |
100% Catholic village |
This village was at the time 100% Protestant (the fashion at
the time being to ignore people not of Judeo-Christian persuasion and hand out ‘get-out-of-jail-free-cards’
to European foreigners whose religious views would not have be otherwise
tolerated were they Irish, in the case of this village the recipient of said
card was a Catholic Belgian woman).
Belgians: Exempt from South Londonderry bigotry |
Your narrator paid particular attention to the conversation
as it was a stomping ground and was the domain of his grandmother and a
sprinkling of various cousins, distant cousins and in-laws and an evil auntie.
What baffled your narrator the most was the casual labeling
of one of the pubs as the ‘fenian’ pub.
Now, this is not through an ignorance of the local lexicon
of slang.
What he said... |
What confused him the most was that the patrons of said pub
were certainly nearly all Protestant as were the owners.
How then chilblains, did said pub acquire such an unenviable
reputation in the marketplace of the Protestant shilling?
For no better reason than it held onto some of the character
that has seemingly been cast onto the cultural bonfire by the Protestant
community.
It
retained (or rather retro-applied) old Irish script for its signage, had the
audacity to put a couple of carriage wheels out front and the leftfield brass
neck to put hanging baskets of flowers out the front. All in all, none of the hallmarks
of a typical South Londonderry, Protestant, drinking, establishment.
Mid Ulster property developer, post-crash |
It suffered a fate worse than death: that of being a ‘fenian
Protestant’.
It held on to the submerged and hidden culture of local
Protestants and was shunned as a result along with folk music, celidh dancing,
the Gaelic language(s) and numerous folk instruments.
Your narrator has wondered many times as to when the ‘burning
of the ceilidh books’ occurred as in when was the time when Protestants
collectively turned their back on their culture or at least the parts that were
similar if not shared with their Catholic neighbours.
He knows for certain
that 30 – 40 years before hand that very same village did host village meetings
to the accompaniment of a ceilidh band that played all manner of ‘fenian’ jigs
and reels as a warm up (or cool down) to the meetings.
Said brothers were not natives shipped in from the neighbouring
Sperrins and given an entry-pass on account of their musical skills and cheeky Celtic
ways.
No.
These were Protestant brothers descended from planters who went
higher up the hills than your typical colonist.
They were also devoted Christians, B Specials and (such were
the times) Loyalists.
Your humble narrator knows this as his grandfather was one
of the multi-skilled musicians.
He played: the accordion, fiddle, Jew’s harp,
drums, penny whistle, fyfe, spoons and if it was your 4th birthday
maybe the saw & bow. (No, not all at the same time, smart-ass).
De Valera: Gave culture 'The Treatment' |
Back then there was no such contradiction in being a
Protestant and playing ‘Irish’ folk music, it was just folk music.
To walk into a modern day Protestant pub or church hall and
play a jig on a fiddle without the protective talisman of Ulster-Scots
sponsorship or at the very least a St Andrew’s Cross or Ulster Flag would raise
all manner of eyebrows and bequeath unfinished egg & onion sandwiches and
cups of tea to the poor church hall that was forced to witness such an affront.
Somehow we've went from folk music, fiddles and dances to
being the playthings of everyone to them being the preserve of themuns and then
to the modern day demarcation of different camps with Ulster-Scots flying the
flag (well, fiddle) for Protestants.
Now, lest there be any misconception, your humble narrator
is a fan of the Ulster Scots Orchestra and of Willie Drennan in particular,
having met oor Willie at a cultural event once and discussed the practitioners
of lambeg drum repair. Your narrator was struck by Willie's intelligence,
modesty and musical skills. Regardless
of one’s criticism of the ‘exclusivity’ of Ulster-Scots and its current
trajectory, Willie Drennan will go down in history as a force for good. He has
led a resurrection of folk music in Protestant quarters and this is a fine
achievement and a foundation to from which we can bridge the cultural gap.
Lambeg Drum 'Owen Roe O'Neill' |
No doubt there were different musical styles in each region, but such is the quirks of distance, demographics and geography, hence Antrim and East Down would be particularly Scottish orientated.
Your narrator would love some enlightenment on the matter and is appealing for help & facts to help his small mind fathom the change and the reasons behind it.
Should you know something about the matter then he would be
most obliged for pointers, references, books, photos and general low down dirty
gossip about how and when things changed because all he can hear are whispers
of how things used to be.
Actually, Willie Drennan’s books are a good place to start:
http://www.amazon.co.uk/Big-Lang-Danner-Willie-Drennan/dp/1905281099/ref=sr_1_1?s=books&ie=UTF8&qid=1379810888&sr=1-1&keywords=big+lang+danner
But for hard core perception busting concise history your narrator strongly recommends 'Handed Down: Country Fiddling and Dancing in East and Central Down'
http://www.amazon.co.uk/Handed-Down-Country-Fiddling-Dancing/dp/1908448512
SO:
Actually, Willie Drennan’s books are a good place to start:
http://www.amazon.co.uk/Big-Lang-Danner-Willie-Drennan/dp/1905281099/ref=sr_1_1?s=books&ie=UTF8&qid=1379810888&sr=1-1&keywords=big+lang+danner
But for hard core perception busting concise history your narrator strongly recommends 'Handed Down: Country Fiddling and Dancing in East and Central Down'
http://www.amazon.co.uk/Handed-Down-Country-Fiddling-Dancing/dp/1908448512
How and when did the cultural split start?
Was there a cultural split at all and that your narrator’s
observations are mere one off exceptions?
Are there anymore Protestants who play the Uilleann pipes?
Why are there practically no more Catholic lambeg drummers?
Where did they go?
What forced the Shankill Protestants to turn their back on
their Gaelic heritage (aside from your narrator’s previous conjectures)?
Is it the fault of overzealous nationalism?
If so, then does overzealous nationalism harm the culture
it’s trying to promote?
What is 'Protestant' culture if an individual is no longer
religious and cares little for politics and Orangism?
He/she may find musical appeal in the Ulster Scots musical scene, but it is
weighed down with Union Flags, Ulster flags and the shadow of politics not to
mention a sense of contrived re-invention.
Surely he/she would consider the path of least resistance,
the path of traditional folk?
we should ance together to the same tune
ReplyDelete